Alec Palmer – Dougray Scott
Emma Grayling – Jessica Raine
Hila – Kemi-Bo Jacobs
The Crooked Man – Aidan Cook
General production staff
Production Executive – Julie Scott
Script Producer – Denise Paul
Line Producer – Diana Barton
Production Manager – Phillipa Cole
Location Manager – Nicky James
Location Assistant – Iestyn Hampson-Jones
Unit Manager – Geraint Williams
Production Co-ordinator – Claire Hildred
Asst Co-ordinator – Gabriella Ricci
Production Assistants – Rachel Vipond, Samantha Price
Production Secretary – Sandra Cosfeld
Production Accountant – Jeff Dunn
A/Production Accountant – Rhys Evans
Camera and lighting department
1st Assistant Director – John Bennett
2nd Assistant Director – James DeHaviland
3rd Assistant Director – Heddi-Joy Taylor-Welch
Assistant Director – Danielle Richards
Script Supervisor – Steve Walker
Camera Operator – Joe Russell
Focus Pullers – James Scott, Julius Ogden
Grip – Gary Norman
Assistant Grip – Owen Charnley
Camera Assistants – Meg de Koning, Sam Smithard, Evelina Norgren
Gaffer – Mark Hutchings
Best Boy – Stephen Slocombe
Electricians – Bob Milton, Nick Powell, Gafin Riley, Gareth Sheldon
Art department
Supervising Art Director – Paul Spriggs
Art Director – Amy Pickwoad
Assistant Art Director – Richard Hardy
Art Department Co-ordinator – Donna Shakesheff
Production Buyers – Adrian Greenwood, Holly Thurman
Petty Cash Buyer – Florence Tasker
Set Decorator – Joelle Rumbelow
Set Dressers – Austin J Curtis, Jayne Davies
Storyboard Artist – Andrew Wildman
Graphic Artist – Christina Tom
Graphic Designer – Chris Lees
Standby Props – Helen Atherton, Rob Brandon
Standby Carpenter – Will Pope
Prop Hand – Jamie Southcott
Standby Art Director – Nandie Narishkin
Standby Rigger – Bryan Griffiths
Prop Master – Paul Smith
Prop Chargehand – Ian Griffin
Dressing Props – Paul Barnett, Mike Elkins, Jamie Farrell
Props Driver – Gareth Fox
Props Makers – Penny Howarth, Alan Hardy
Construction Manager – Terry Horle
Construction Chargehand – Dean Tucker
Practical Electrician – Christian Davies
Scenic Artist – John Pinkerton
Graphics – Peter Anderson Studio
Costume department
Costume Supervisor – Carly Griffith
Assistant Costume Designer – Fraser Purfit
Costume Assistants – Katarina Cappellazzi, Florence Chow, Gemma Evans
Make-up and prosthetics
Make-up Artists – Katie Lee, Elin Rhiannon, Vivienne Simpson
Prosthetics – Millennium FX
Movement
Stunt Co-ordinators – Crispin Layfield, Gordon Seed, Jo McLaren
Stunt Performer – Annabel Canaven
Casting
Casting Associate – Alice Purser
General post-production staff
Post-production Supervisor – Nerys Davies
Assistant Editor – Becky Trotman
On-line Editor – Geraint Pari Huws
Additional editing by – Matthew Cannings
Special and visual effects
Additional Visual Effects – BBC Wales Visual Effects
VFX Editor – Joel Skinner
Colourist – Mick Vincent
Sound
Sound Recordist – Deian Ll┼╖r Humphreys
Dubbing Mixer – Tim Ricketts
Sound Maintenance Engineers – Ross Adams, Chris Goding
Dialogue Editor – Darran Clement
ADR Editor – Matthew Cox
Supervising Sound Editor – Paul McFadden
Sound Effects Editor – Paul Jefferies
Sound Editor – Doug Sinclair
Foley Editor – Jamie Talbutt
Investigating a haunted house in the 1970s, the Doctor and Clara meet two researchers studying a ghostly presence. The haunting is revealed to be a time traveller trapped in a pocket universe, with a creature seeking its lost mate. The Doctor rescues both beings, turning a ghost story into a tale of love and reunion. Clara sees a more compassionate side of him.
ΓÇ£HideΓÇ¥ follows the Eleventh Doctor and Clara Oswald investigating a supposedly haunted house called Caliburn House, where a psychic experiment has created a trapped entity.
The haunting is revealed to be caused by a creature trapped in a pocket universe, connected through a ΓÇ£time corridorΓÇ¥ linking two points in spacetime.
Emma Grayling is a psychic researcher investigating paranormal activity. She helps the Doctor and Clara understand the true nature of the phenomenon.
The time corridor is a link between dimensions that allows beings to become trapped between realities, creating the illusion of a haunting.
This episode blends gothic horror and science fiction in Doctor Who, while continuing the developing relationship between Clara and the Eleventh Doctor.
