Sally Sparrow – Carey Mulligan
Kathy Nightingale – Lucy Gaskell
Larry Nightingale – Finlay Robertson
Malcolm Wainwright – Richard Cant
Billy Shipton – Michael Obiora
Old Billy – Louis Mahoney
Ben Wainwright – Thomas Nelstrop
Banto – Ian Boldsworth
Desk Sergeant – Ray Sawyer
1st Assistant Director – Gareth Williams
2nd Assistant Director – Anna Evans
3rd Assistant Director – Paul Bennett
Location Manager – Gareth Skelding
Unit Manager – Geraint Havard Jones
Production Co-ordinator – Jess van Niekerk
Production Assistant – Debi Griffiths
Floor Runners – Glen Coxon, Tom Evans
Contracts Assistant – Kath Blackman
Continuity – Llinos Wyn Jones
Script Editor – Helen Raynor
Focus Puller – Ant Hugill
Grip – Clive Baldwin
Camera Assistant – Stephen Andrews
Boom Operators – Jeff Welch, Jillian Speed
Gaffer – Peter Chester
Best Boy – Chris Davies
Stunt Co-ordinators – Crispin Layfield, Glenn Marks
Chief Supervising Art Director – Stephen Nicholas
Art Dept Production Manager – Jonathan Marquand Allison
Art Dept Co-ordinator – Matthew North
Chief Props Master – Adrian Anscombe
Supervising Art Director – Arwel Wyn Jones
Associate Designer – James North
Set Decorator – Keith Dunne
Standby Art Director – Dafydd Shurmer
Design Assistants – Peter McKinstry, Ian Bunting, Al Roberts, Rob Dicks
Cyfle Trainee – Sarah Payne
Standby Props – Gareth Thomas, Rhys Jones
Standby Carpenter – Will Pope
Standby Painter – Julia Challis
Standby Rigger – Keith Freeman
Props Master – Dewi Thomas
Props Buyer – Sue Jackson-Potter
Props Chargehand – Martin Broadbent
Props Storeman – Martin Griffiths
Forward Dresser – Austin Curtis
Chief Props Maker – Barry Jones
Props Makers – Penny Howarth, Mark Cordory, Nick Robatto
Constrction Manager – Matthew Hywel-Davies
Construction Chargehands – Allen Jones, Scott Fisher
Graphics – BBC Wales Graphics
Costume Supervisor – Charlotte Mitchell
Costume Assistants – Bobby Peach, Sara Morgan
Make-Up Artist – Allison Sing
Special Effects Co-ordinator – Ben Ashmore
Special Effects Supervisor – Paul Kelly
Special Effects Technicians – Danny Hargreaves, Henry Brook, Dan Bentley, Richard Magrin
Prosthetics Designer – Neill Gorton
Prosthetics Supervisor – Rob Mayor
On Set Prosthetics Supervisor – Matt O’Toole
Prosthetics Technician – Claire Folkard
Casting Associates – Andy Brierley, Kirsty Robertson
VFX Editor – Ceres Doyle
Assistant Editors – Tim Hodges, Matthew Mullins
Post Production Supervisors – Samantha Hall, Chris Blatchford
Post Production Co-Ordinator – Marie Brown
On Line Editor – Simon C. Holden
Colourist – Mick Vincent
VFX Production Assistant – Marianne Paton
Dubbing Mixer – Tim Ricketts
Supervising Sound Editor – Paul McFadden
Sound Editor – Doug Sinclair
Sound FX Editor – Paul Jefferies
Foley Editor – Kelly-Marie Angell
Finance Manager – Chris Rogers
With thanks to the BBC National Orchestra of Wales
Original Theme Music – Ron Grainer
Casting Director – Andy Pryor CDG
Production Executive – Julie Scott
Production Accountant – Endaf Emyr Williams
Sound Recordist – Ray Parker
Costume Designer – Ray Holman
Make-Up Designer – Emma Bailey
Music – Murray Gold
Visual Effects – The Mill
Visual FX Producers – Will Cohen, Marie Jones
Visual FX Supervisor – Dave Houghton
Special Effects – Any Effects
Prosthetics – Millennium FX
Editor – Jamie McCoan
Production Designer – Edward Thomas
Director of Photography – Ernie Vincze BSC
Production Manager – Debbi Slater
The Doctor and Martha are stranded in 1969, trapped there by the Weeping Angels ΓÇö quantum-locked stone creatures that are fast, deadly and invisible in darkness. In 2007, young woman Sally Sparrow begins piecing together a trail of clues the Doctor left scattered through time, including a message hidden as a DVD easter egg containing a one-sided conversation between her and the Doctor. Structurally inventive, brilliantly constructed and genuinely terrifying, the episode is widely regarded as one of the greatest hours in the show’s history and introduced the Angels as iconic villains.