Jenny – Georgia Moffett
Cobb – Nigel Terry
Cline – Joe Dempsie
Hath Peck – Paul Kasey
Hath Gable – Ruari Mears
Carter – Akin Gazi
Soldier – Olalekan Lawal Jr
1st Assistant Director – Gareth Williams
2nd Assistant Director – Jennie Fava
3rd Assistant Director – Sarah Davies
Location Manager – Gareth Skelding
Unit Manager – Rhys Griffiths
Production Co-ordinator – Jess van Niekerk
Production Secretary – Kevin Myers
Asst Production Co-ordinator – Debi Griffiths
Production Runner – Nicola Brown
Drivers – Wayne Humphreys, Kevin Kearns
Floor Runners – Andy Newbury, Heddi Joy Taylor
Contracts Assistants – Kath Blackman, Lisa Heyward
Continuity – Non Eleri Hughes
Script Editor – Lindsey Alford
Camera Operators – Julian Barber, Joe Russell
Focus Puller – Steve Rees, Duncan Fowlie
Camera Assistants – Jon Vidgen, Tom Hartley
Grip – John Robinson
Boom Operators – Jeff Welch, Bryn Thomas
Gaffer – Mark Hutchings
Best Boy – Peter Chester
Electricians – Steve Slocombe, Clive Johnson, Ben Griffiths
Stunt Co-ordinator – Crispin Layfield
Stunt Performers – Amanda Foster, Paul Kennington
Chief Supervising Art Director – Stephen Nicholas
Art Department Production Manager – Jonathan Marquand Allison
Supervising Art Director – Arwel Wyn Jones
Associate Designer – James North
Art Department Coordinator – Amy Pope
Set Decorator – Tim Dickel
Props Buyer – Catherine Samuel
Standby Art Director – Ciaran Thompson
Design Assistants – Peter McKinstry, Sarah Payne, Al Roberts
Storyboard Artist – Richard Shaun Williams
Standby Props – Phill Shellard, Nick Murray
Standby Carpenter – Will Pope
Standby Painter – Ellen Woods
Standby Rigger – Keith Freeman
Property Masters – Paul Aitken, Phil Lyons
Dressing Chargehand – Matthew Wild
Forward Dresser – Stuart Mackay
Senior Props Maker – Barry Jones
Props Makers – Penny Howarth, Nick Robatto, Jon Grundon
Practical Electrician – Albert James
Construction Manager – Matthew Hywel-Davies
Scenic Artists – John Pinkerton, John Whalley
Construction Chargehands – Scott Fisher, Allen Jones
Construction Workshop Manager – Mark Hill
Graphics – BBC Wales Graphics
Costume Supervisor – Lindsay Bonaccorsi
Assistant Costume Designer – Rose Goodhart
Costume Assistants – Barbara Harrington, Louise Martin
Make-Up Artists – Pam Mullins, Steve Smith, John Munro
Casting Associates – Andy Brierley, Amy Rogers
VFX Editor – Ceres Doyle
Assistant Editor – Carmen Roberts
Post Production Supervisors – Samantha Hall, Chris Blatchford
Post Production Co-ordinator – Marie Brown
SFX Co-ordinator – Ben Ashmore
SFX Supervisor – Danny Hargreaves
Prosthetics Designer – Neill Gorton
Prosthetics Supervisor – Rob Mayor
On Set Prosthetics Supervisor – Charlie Bluett
Prosthetic Technicians – Jon Moore, Lauren Welman, Sarah Lockwood, Helen Walker, Fiona Walsh, Tim Berry
On Line Editors – Mark Bright, Matthew Clarke
Colourist – Mick Vincent
3D Artists – Serena Cacciato, Ruth Bailey, Mark Wallman, Jeff North
2D Artists – Russell Horth, Bryan Bartlett, Sara Bennett, Arianna Lago, Murray Barber, Loraine Cooper, Adrian Cirulli
VFX Co-ordinators – Jenna Powell, Rebecca Johnson
VFX Production Assistant – Marianne Paton
On Set VFX Supervisor – Tim Barter
Dubbing Mixer – Tim Ricketts
Supervising Sound Editor – Paul McFadden
Sound FX Editor – Paul Jefferies
Foley Editor – Kelly-Marie Angell
Finance Manager – Chris Rogers
With Thanks to the BBC National Orchestra of Wales
ORIGINAL THEME MUSIC – RON GRAINER
CASTING DIRECTOR – ANDY PRYOR CDG
PRODUCTION EXECUTIVE – JULIE SCOTT
PRODUCTION ACCOUNTANT – OLIVER AGER
SOUND RECORDIST – JULIAN HOWARTH
COSTUME DESIGNER – LOUISE PAGE
MAKE UP DESIGNER – BARBARA SOUTHCOTT
MUSIC – MURRAY GOLD
VISUAL EFFECTS – THE MILL
VISUAL FX PRODUCERS – WILL COHEN, MARIE JONES
VISUAL FX SUPERVISOR – DAVE HOUGHTON
SPECIAL EFFECTS – ANY EFFECTS
PROSTHETICS – MILLENNIUM FX
EDITOR – PHILIP KLOSS
PRODUCTION DESIGNER – EDWARD THOMAS
DIRECTOR OF PHOTOGRAPHY – ERNIE VINCZE BSC
PRODUCTION MANAGER – PETER BENNETT
On the war-ravaged planet Messaline, the Doctor’s DNA is forcibly extracted by a progenation machine to produce a fully grown female soldier ΓÇö his daughter, Jenny, in biological terms if not in experience. He initially struggles to accept her, haunted by the family he lost in the Time War. Meanwhile, Donna pieces together the truth about the millennia-long war, realising both sides have actually been fighting for just seven days. Jenny is apparently shot dead at the episode’s close, only to quietly revive after the Doctor has gone, setting up a dangling thread never revisited in the main series.
ΓÇ£The DoctorΓÇÖs DaughterΓÇ¥ follows the Tenth Doctor, Donna, and Martha as they arrive on the planet Messaline, where a long-running war is taking place. A machine creates a genetically engineered soldier who turns out to be biologically related to the Doctor.
Jenny is a human-generated soldier created using the DoctorΓÇÖs DNA. She rapidly matures into an adult and displays many of the DoctorΓÇÖs traits, including curiosity, compassion, and bravery.
The war is between humans and the Hath, an alien species native to the planet. Both sides have been in conflict for generations, but neither fully understands the origin or purpose of the war anymore.
The Hath are amphibious alien warriors who appear hostile but are revealed to be more complex and honour-bound. Like the humans, they are trapped in a cycle of conflict they do not fully control.
ΓÇ£The DoctorΓÇÖs DaughterΓÇ¥ explores themes of identity and creation within Doctor Who, challenging the Tenth Doctor to confront the consequences of genetic manipulation and the meaning of family.
